• Work Submission: Sonic Union Walks on Water for Jordan Brand

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    Sonic Union and Jordan Brand made a big splash on the Hudson River with a live projection installation for Carmelo Anthony’s Jordan Melo M8. It’s probably the first time the high-flying acrobatics of a NBA star have been featured at Pier 54 and quite possibly led passer-bys to wonder if they were, in fact, hallucinating from basketball withdrawal.

    The event took place in front of a crowd of 2,500 at Pier 54 in New York City and featured a live performance by Nas and larger than life projections of the Melo shoe in action over the Hudson River. The event also included a surprise helicopter drop-in by a Carmelo stunt double followed by a live stage appearance of Carmelo himself, encouraging those in attendance to win prizes by playing games featured onsite. Sonic Union mixer Steve Rosen mixed the sound for the live event, with Managing Director Adam Barone coordinating with all production companies involved, producing seamless on-site sound for the explosive event. The impressive installation included 13 projectors from pier to pier, with projections of Carmelo Anthony time sequenced through all projectors along with the live music serving to hype the crowd for the dramatic release. The footage from the event has been used to create a television spot that is currently airing.

    As appealing as the event made it look, actually playing basketball on the Hudson River is strongly discouraged as both dangerous and unsanitary.

  • "It Sounds Like We're an Established Empire:" An Inside Look at the Real Founders of Thornberg & Forester

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    It’s the kind of success story you like to hear: Three cool, talented people—none of them rock stars—meet working at an agency and decide to start their own shop. They like telling stories, so they make up fictional founders with grandiose names: Walter P. Thornberg and Donalth Forester. “Their spirits are still present in our office today,” the Thornberg & Forester website reads. “Brass fixtures. Bourbon on the rocks. Ties, wide and narrow. And, of course, a company-wide appreciation for yachting and lacquered, wooden golf clubs.”

    The design studio’s real founders, Elizabeth Kiehner, Scott Matz and Justin Meredith, are anything but Bourbon on the rocks and lacquered, wooden golf clubs. They’re three t-shirt clad designers with a love of doing pro-bono work for eco-sustainable organizations; so far, the Thornberg & Forester brand has treated them well.

    “When you meet us you’re in on the joke,” Matz explains. “But then with an outsider it works both ways – it sounds like we’re an established empire.”

    The name gave the small shop’s biz dev a big boost. “Sometimes I’m able to get through a gatekeeper or somebody’s assistant,” Kiehner explained. “If I call and they say, ‘Alright, Thornberg and Forester sounds serious. I’m going to put this call through rather than giving them a big hassle about like ‘What is this about?’”

    They’ve also received tons of resumes from Goldman Sachs and Merrill Lynch employees looking for a financial advisor job. Fittingly, they now do a lot of work for financial companies like E-Trade or Fidelity, whom they helped develop the omnipresent “Green Line.”

    “We do have quite a few financial jobs, and I’ve always wondered if it has anything to do with our name,” Meredith admitted.

    Maybe it’s just a cosmic connection. Kiehner sees a more practical answer: “I think we’re also good at taking really complicated information, and information that could be considered dry or boring or otherwise obtuse, and making it very consumer friendly and interesting.”

    The trio feels like Thornberg and Forester have helped them develop their personality as storytellers. the two founders even have their own Twitter handles.

    Five years in, they’ve outgrown their sunny Union Square loft space and are starting to expand their repertoire beyond their bread and butter, commercials. “Lately we’ve been doing more environmental type work – experiential work – that involves fabrication and some really interesting interactive stuff,” Matz explained. “Although iPad app development is not our big forte quite yet, we have been doing some highly successful campaigns in those realms, and the opportunities we’re facing are very exciting.”

    And they’re headed in an ambitious direction. They want to be “doing things that don’t have a name yet,” Matz added. “So it’s like interactive things that might be happening on the sidewalk when you walk by…a dog that sort of follows you and interacts with you in real time. Like we don’t do that yet, but we’re hoping to.”

    But when it comes design shops, seeing is believing, so let’s let their work have the last word. First, a film about their founding, and second, their 2011 highlight reel.

    Thornberg & Forester Brand Video from Thornberg & Forester on Vimeo.

    T&F Montage 2011 from Thornberg & Forester on Vimeo.

  • Mike Kenny Joins Big Spaceship Production Team

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    Big Spaceship has announced the addition of Mike Kenny to its production team, along with two key promotions.

    Prior to joining the agency, Kenny held project manager positions at both the New York and San Francisco offices of AKQA, and he worked as a digital producer at Droga5.

    Sabah Kosoy has been promoted to senior producer, and will oversee projects across a variety of clients. Kosoy (nee Ahmed) joined Big Spaceship in 2007, and most recently served as a producer. Previously, she worked as a developer/production artist at Renegade Marketing Group, where she created flash microsites and applications for clients including Panasonic.

    Nooka Jones has been promoted to producer from his previous role as associate producer. As producer, Jones will be handling client work and project management, while managing the agency’s PR and award submissions. He began his career as a designer and project manager at SCVNGR in Boston.

  • Tumblr of the Week: Not Foster Wallace

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    This week's Tumblr of the week: Not Foster Wallace. A Tumblr of pictures of scruffy, long-haired folks and literary icons that are not the beloved David Foster Wallace. Enjoy.

    http://notfosterwallace.tumblr.com

  • Amon Tobin's Isam is Ridiculously Awesome

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    I went to see Amon Tobin's Isam last night, and it was ridiculously mind blowing. Above is a picture my friend Jawad took on his cell. Props to Chicago-based design/production agency Leviathan for being part of the team that made it happen.

  • Google + Adds Something Infinitely Better than Ticker

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    Google + announced the addition of a bunch of cool sh*t today, most notably Popular Content, which runs the same way as the Facebook Ticker, except you get to see the most viral, liked/shared stuff on Google +, instead of the song that that weird kid that sat behind you in geometry just listened to.

    Plus, cool viral infographs that will be like porn to social media dorks! And it'll work with your Google App work email address! Read about it in full here.

    Why are dark shots of the Google sign always so creepy?

  • Gawker Reports on Shady Business Link Buying

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    Yesterday, Gawker.com’s Hamilton Nolan posted an article about an under-the-table offer he received from 43a, a company who claims to “take your business to the next level” with Article Marketing and Publicity. In exchange for embedding a link “in the context” of an article, Nolan would get $175.00.

    When Nolan asked about his editor’s involvement, 43a’s representative Bryan Clark wrote back, “We generally meet with resistance when dealing with editors, but bloggers aren’t paid as well and most are willing to make some extra money…there is a certain ‘under the radar’ element to it.”

    This is the wrong solution to a familiar issue: no one is paying for content. It makes sense that underpaid bloggers would be excited to make money for doing very little. But eventually, smart readers will notice that their report on LiLo’s latest debacle features a sentence like, “Sadly, Lindsay was forced to leave her T-mobile phone at home.” As readers grow warier, a writer’s articles will lose eyes, then ad traction.

    Big businesses relying on clandestine dropped links are as foolish as fishermen who think they can catch a fish without a hook or net. They may feel like they’re up to something productive, but ultimately, without any substance to snare the reader, the activity is fruitless and cheap. Better to invest in the right equipment, which agencies should provide. In this case, that is branded content that connects with its audience and is unabashed about informing them on what they’re buying, and why they should. Then businesses won’t have to pay anyone to link to their site; writers will do it for free because they genuinely think the product is worth it.

  • Work Submission: DDB New York Campaigns for The Art Directors Club 91st Annual Awards With Rami Niemi and Lewis Black

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    Advertising isn’t easy. There are many obstacles to creating great work that resonates with consumers while maintaining creative integrity. Especially when you can't even drink in most offices nowadays. And all of these analytics are a pain in the ass.

    This is the idea (except the alcohol and analytics part) behind DDB New York’s campaign for The Art Directors Club 91st Annual Awards call for Entries Campaign.

    The campaign encourages creatives to “Keep Fighting the Good Fight,” despite obstacles to creating great work. This campaign launched online at www.adcawards.org and through a global print mailing on November 1. DDB worked with Finnish illustrator Rami Niemi to design artwork for nine CFE posters and postcards showing humorous situations in modern day advertising that illustrate the impediments to and challenges of conceiving of innovative and creative work.

    DDB also got comedian and angry, angry man Lewis Black to work on the project. Black contributes an original rant recorded for the campaign in which he angrily vents about the pressures of the advertising industry, deciding it’s all worth it for a shiny little object. “Keep fighting the good fight,” he concludes, “or go fuck yourself.”

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